THE BEST SIDE OF CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

The Buster Keaton character has his toes on the ground. He can be embarrassed to parade his goodness. He employs ingenuity rather then divinity. Chaplin’s untidy like life indicates he felt he deserved whomever he preferred; Keaton in private lifetime seems to have already been melancholic on account of alcoholism, but a good ample sort with Gals